Due in UK cinemas on Friday 22nd March, “The Croods” is the latest 3D computer animated movie from DreamWorks Studios.

The 3D, prehistoric, comedy adventure follows the worlds first modern family as they embark on a journey of discovery. When their cave, which has always protected them from danger, is destroyed, they are forced to leave everything they know behind. Travelling across an incredible landscape, the Croods discover a whole new world filled with fantastic creatures, and their outlook is changed forever.

The voice-over cast includes a wealth of well known talent including Nicholas Cage, Ryan Reynolds and Emma Stone. See the official trailer here

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We’ve recently been working on the development of our Kuro-Bot character, and re-working the story of how they came to be. Kuro-Bot has featured on our blog and website many times in the past, and has formed a strong connection with our brand, however, our storyboard artist has been continuously developing further ideas and we will be introducing “Adventures of the Kuro-Bots” very soon.

We thought we’d share a few images of the development process here, so you can share the journey with us. The final design and finished product will be coming soon so look out for updates. We’d also be interested to hear which of our designs is your favourite!

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Our last blog post in which we discussed our favourite animated films prompted us to think back to animations we have enjoyed from childhood. Some of the best loved animations of all time date back to the 1920s where Walt Disney and Warner Brothers revolutionised the industry. The earliest version of Mickey Mouse was created in 1928 followed closely by the Warner Brothers Cartoons in 1930. But what about even earlier than that? Where did animation begin, when and how?

So, we asked Kurobot to share his knowledge and teach us all about the origin of animation.

Motion in art can date back as far as Paleolithic cave paintings, a very very long time ago! Paintings of animals with many legs in various positions is noted as the first attempt at conveying motion. Other pieces include sequences and phases of movement in both animals and people painted onto bowls, plates and murals.

Animation before film dates back to the 1600s where numerous devices were used to display animated images. The magic lantern, invented 1650, used a translucent oil painting and a lamp to project images onto adjacent flat surfaces. It was often used to display monsters and demons to convince people they were witnessing supernatural events. (We have ours ready for Halloween)

The Thaumatrope, invented 1824, was one of the first devices to demonstrate the Phi phenomenon, the human (and Kurobot) brains ability to persistently perceive an image. The device used a small circular piece of card with different images on each side, strung onto a central cord. When the cord is spun between the fingers the images appear to merge into one creating a moving image.

Possibly the most well known origin of motion picture is the humble flip book. Invented 1868, a flip book features a sequence of animated images on the unbound edge of each page of the book. When bending the pages back and flicking through the book the images merge due to the rapid replacement of each image with the next, forming a short animation.

The silent era of animation began in the late 1800s with the production of short stop motion animations, the most famous of which, produced in 1920 was Felix the cat. Felix was the first merchandised cartoon character and became a household name.

1923 marked the beginning of the golden age of animation when a small studio “Laugh-o-grams” went bankrupt, and its owner, Walt Disney opened a new studio in Los Angeles. This was possibly one of the most significant events in the history of animation.

The first Disney productions include “The Alice Comedies” series, “Song Car Tunes” and “Dinner Time”, however the most notable breakthrough entitled “Steamboat Willie” featured an anthropomorphic mouse named “Mickey” neglecting his work on a steamboat to instead make music with the animals aboard the boat. This would mark the development of animation in our generation including TV, and CGI animation.

 

Image sources: Silent London, Education Eastman House, The Local, Good Comics, Animation Connection

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This discussion continuously sparks a huge debate in the Kuro Dragon office. We all have our favourites and coming to a mutual conclusion proves almost impossible. This is the list we came up with but we just couldn’t decide on how to order them. Toy Story 3 seemed to be a common choice along with the other classics, Finding Nemo and The Incredible’s.

We also noticed that they all seemed to be quite recent CGI movies and when we stopped to consider all of the older classics we opened a whole new can of worms! (we’ll save that for another post).

What do you think? How would you order our list?

In no particular order:

Toy Story 3

How to Train Your Dragon

Lion King

Finding Nemo

The Incredible’s

 

Happy Feet

Megamind

Cars

Despicable Me

Ratatouille 

 

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As Halloween approaches, and most of your plans for this years spooky celebrations are already set, here’s something to note for Halloween 2013.

Over the weekend Animation World Network revealed Pixar’s plans to bring Toy Story back to our screens come Halloween 2013 for a spooky TV special. “Toy Story of Terror” will be the first return of Woody and the gang since 2010′s Oscar winning Toy Story 3, which became the highest-grossing animated film of all time.

The plot centres around a road-trip in which the group stop off at a roadside motel, events take a turn for the worst when one of the toys goes missing. The rest of the group find themselves caught in a serious of mysterious events which they need to solve to find their friend. We’re hoping it’s as good as the Toy Story films and a teaser for a Toy Story 4!

Source: Pixar Animation Studios

 

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Frankenweenie is a black and white stop motion animated film by Tim Burton, originally created in 1984 as a short film of the same name. The tale features a young boy, Victor who loses his pet dog Sparky. Using the power of science, Victor brings Sparky back to life, much like the plot of the 1931 horror film, Frankenstein. When Sparky escapes, Victor finds himself, along with fellow students, teachers and neighbours, unable to control his pet whilst he causes havoc around town.

The film is the first black and white feature and the first stop motion animation to be released in IMAX 3D, and its also set to open this years London Film Festival from 10 October-21 October. The voice cast includes Winona Ryder, Catherine O’Hara, Martin Short, and various other well known names. Clare Stewart, BFI head of exhibition who has recently taken control of the organisation of the festival spoke passionately about the film, “Frankenweenie is a perfect choice of opener – it’s a film that revels in the magic of movies from one of cinema’s great visionaries. Tim Burton has chosen London as his home city and hundreds of talented British craftspeople have contributed to this production”. The European première will be beamed to the BFI IMAX and 30 screens across the UK.

 

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Working in an animation studio, one of the most commonly asked questions is who actually needs animation and what do they use it for? Kurobot’s answer to this question? Everyone! Anyone with a business or a product/service to sell could harness this method of promotion.

Animation is one of the most versatile sales tools you could possibly use. Instead of expecting your potential customers to read a block of text on a page, you can create an interesting visual of absolutely ANYTHING to demand their attention.

Benefits according to Kurobot

Create a visual of something that could never be achieved through live film. Sub-sea animation demonstrates this need perfectly! 

Demonstrate how your product/service works. This can be particularly useful if your product is the size of a double decker bus! 

 

Present technical information or long explanations * yawn * in a fun, interesting, visually appealing form.

Use your animation to pitch your product/service to your target customer, show them how they could benefit from it and develop your animation to carefully position the product. 

If you’d like to ask me more about how I can help, you can get in touch here… http://www.kurodragon.com/talk-to-us/

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(Columbia Pictures)

Tea or Coffee? Tea, but only half a cup. Loads of milk and one sugar. The occasional gingerbread latte at Christmas :)

If you were a cartoon character who would you be? Smurfette. Legend! She’s a mini blue Marilyn Monroe

What did your last text say? Yogi bear hasn’t destroyed the house today, score!

Apple, Android or Blackberry? Apple, I can’t even text on a Blackberry, strange devices

Fancy dress costume of choice?  The pink power ranger

Which animators inspire you? Chuck Jones, I love Tom and Jerry

What would your super power be? To be anywhere in the world at the click of a finger, “just off to the Caribbean for my lunch hour”

It’s my round, what do you want to drink? Bottle of red wine… and a straw please

When are you happiest? When I’m eating, shopping, and I’m much happier when the sun is shining

Cat or Dog? 100% dogs, because they’re loyal, cats are too independent and bring you dead creatures as gifts

Favourite animated film? Most recently – Megamind, “Ow, my GIANT blue head!”

What keeps you awake at night? A crying puppy, or if I’m excited for something, I still get butterflies the night before a holiday!

 

 

 

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August 6th 2012 marked the 80th birthday of a small carpentry business in Billund, Denmark which would eventually transform into the Lego Group we know today.

As part of their birthday celebrations, Lego released an animated short film depicting the company’s journey from carpentry, to the production of high quality wooden toys and the introduction of the interlocking plastic bricks which are still in production today.

The story follows the journey of Ole Kirk Christiansen, who founded the company in 1932, his son Godtfred, Lego’s second owner and the current owner Kjeld who is grandson of the founder.

Even the most avid Lego fan will learn something new from the animation which features interesting facts about the company’s history, for example, the name Lego is derived from the Latin phrase “I put together”.

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Image taken from St.Osyth Parish Council

There aren’t many illustrators synonymous with Christmas in quite the same way as Raymond Briggs. Every year children cry over the melted remains of The Snowman and his Father Christmas can be found miserably bemoaning  “Another Blooming Christmas!” As grumpy as Briggs can be though, his combination of tenderness, genial humour and honesty seems to strike a chord with the wistful British.

Briggs was born in Wimbledon in 1934 to a milkman named Ernest and his mother Ethel who’s relationship together would eventually be documented by Briggs in the wonderful graphic novel, Ethel & Ernest. Despite being discouraged by his father to pursue art, dismissing it as an unprofitable career, he enrolled at the age of 15 to Wimbledon School of Art and later joined the Slade. Briggs enjoyed life classes but never felt inspired by much else and so turned his hand to illustration. Initially he was illustrating for advertising, magazines and newspapers but eventually found it was drawing for children’s books which he truly enjoyed.

He found steady work but soon began to feel stifled by the lack of exciting books coming out. Unable to shake the feeling he could do better, he wrote his own entitled, The Strange House in 1961. Briggs made his first critical success in 1966 with The Mother Goose Treasury which earned him the Kate Greenaway medal and in 1973 he published Father Christmas which won him further awards and the attention of television executives. There is a drawing in Father Christmas of the house Raymond shared with his first wife, Jean Taprell Clark. She can be seen upstairs in bed in this cosy domestic scene. Sadly Jean, who suffered with schizophrenia, died two months after the publication of the book from leukaemia, the poignancy of which is something Briggs doesn’t shy away from.

After Father Christmas came the excellent Fungus the Bogeymen (1977) which also adopted the same comic strip format and for which Briggs scoured the dictionary looking for words that were “bogey-like”. In 1978 Briggs published The Snowman which has since been transformed into every kind of medium and who’s smiley frosted face can be seen on all manner of items including plates, umbrellas and scarfs. Briggs himself owns a heap of Snowman memorabilia.

Taken from The Guardian

As well as children’s books, Briggs has produced adult graphic novels. When the Wind Blows (1982) confronts nuclear war and The Tin-Pot Foreign General and The Old Iron Woman (1984) takes a stab at Maggie Thatcher and the Falklands. This is what I really enjoy about Briggs, he’s essentially a children’s illustrator that doesn’t sugar the pill. In 1993, Briggs was named The Children’s Author of the Year and his novel Ethel and Ernst won Best Illustrated Book in the 1999 British Book Awards. He currently resides in Westmeston in Sussex and continues to work.

Resources

Bloomin’ Christmas from The Guardian

Audio Slideshow from The Guardian

Gentleman Briggs from Toonhound

Raymond Briggs 

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