HRH Prince Andrew visited Gateshead International Business Centre on Thursday 16th February.

The Prince spent 40 minutes talking to 6 business owners including our MD Stuart Howard about the issues of growth and sustainability within the North East and how the region can compete on a global stage. HRH seemed very impressed with the quality of creative businesses based here. Maybe we’ll get a royal animation to produce sometime soon…. ; )

HRH Prince Andrew

HRH Prince Andrew and Stuart Howard MD of Kuro Dragon

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We’d just like to wish everyone a prosperous and healthy new year.

Here at Kuro Dragon we’ll be seeing some very big changes in 2012. We’ll be moving to our new office in February, relaunching our new website & brand as well as recruiting for various roles.

We have some great clients and new projects already lined up for 2012 and we look forward to sharing our new work in the coming months.

Northern Design Centre

Northern Design Centre nearing completion

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Ruth, Phil Nichol (must see comedienne) and Scott

My time here at Kuro Dragon has drawn neatly to a close. Today is indeed my last day, last night was my fantastic drunken leaven do and I’m off to head back into the world of further education and get involved in some exciting independent projects. I’ve been to all manner of the British Isles since working here and met some really interesting people I wouldn’t normally have the opportunity to meet from deep sea divers to the coolest robotics engineer (honestly, she’s cool! Check her out at Thinking Digital here). Aberdeen became a second home for me at one point- we’ve been up and down so often and it’s been really interesting to get a deep insight into the energy and offshore sector. I never thought I’d be chatting fairly confidently about pipes and ROVs but that’s been the unexpected nature of the job.

I’m going to miss Stu, the gang, the banter, the pranks and feel a little regretful that I won’t be part of the new move but as that wise philosopher Nelly Furtado once said, all good things must come to an end. I have some great memories and big hopes for myself and Kuro so watch this space, we’ll be back bigger and brighter. But, maybe not together. *wipes tear* Ok this is getting a little soppy isn’t it? Crack open the beers!!

Lot of love xxx

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We’ve been busy working on a wide variety of projects lately and so here we are filling you in on a few things…

Working with major network channel Al Jeezra, Kuro Dragon has produced  TV titles for the fantastic documentary series Slavery: A 21st Century Evil and also Talk to Al Jazeera. Al Jeezra have been great clients and we look forward to working with them in the future.  Have a squire at the titles, Slavery titlesTalk to Al Jazeera titles.

In late October we visited Manchester for the Renewable UK 2011 conference and recently, EWEA conference in Amsterdam. It was good to see familiar faces and to meet some new ones. It was our first trip to Amsterdam as well and we found it be an interesting and beautiful city. Definitely worth a visit if you haven’t already been!

We were commissioned by our good friends at e-Quality to produce an animation showcasing all the excellent work they do. Check out the animation here.

Kuro were delighted to be asked to create Northumbria University’s Christmas ecard for the 3rd year in a row. It’s not quite finished but stay tuned!

And finally, we’re very excited to be expanding the team very soon and moving offices in the New Year.

© Pictures of Amsterdam courtesy of www.amsterdam.info

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Image taken from St.Osyth Parish Council

There aren’t many illustrators synonymous with Christmas in quite the same way as Raymond Briggs. Every year children cry over the melted remains of The Snowman and his Father Christmas can be found miserably bemoaning  “Another Blooming Christmas!” As grumpy as Briggs can be though, his combination of tenderness, genial humour and honesty seems to strike a chord with the wistful British.

Briggs was born in Wimbledon in 1934 to a milkman named Ernest and his mother Ethel who’s relationship together would eventually be documented by Briggs in the wonderful graphic novel, Ethel & Ernest. Despite being discouraged by his father to pursue art, dismissing it as an unprofitable career, he enrolled at the age of 15 to Wimbledon School of Art and later joined the Slade. Briggs enjoyed life classes but never felt inspired by much else and so turned his hand to illustration. Initially he was illustrating for advertising, magazines and newspapers but eventually found it was drawing for children’s books which he truly enjoyed.

He found steady work but soon began to feel stifled by the lack of exciting books coming out. Unable to shake the feeling he could do better, he wrote his own entitled, The Strange House in 1961. Briggs made his first critical success in 1966 with The Mother Goose Treasury which earned him the Kate Greenaway medal and in 1973 he published Father Christmas which won him further awards and the attention of television executives. There is a drawing in Father Christmas of the house Raymond shared with his first wife, Jean Taprell Clark. She can be seen upstairs in bed in this cosy domestic scene. Sadly Jean, who suffered with schizophrenia, died two months after the publication of the book from leukaemia, the poignancy of which is something Briggs doesn’t shy away from.

After Father Christmas came the excellent Fungus the Bogeymen (1977) which also adopted the same comic strip format and for which Briggs scoured the dictionary looking for words that were “bogey-like”. In 1978 Briggs published The Snowman which has since been transformed into every kind of medium and who’s smiley frosted face can be seen on all manner of items including plates, umbrellas and scarfs. Briggs himself owns a heap of Snowman memorabilia.

Taken from The Guardian

As well as children’s books, Briggs has produced adult graphic novels. When the Wind Blows (1982) confronts nuclear war and The Tin-Pot Foreign General and The Old Iron Woman (1984) takes a stab at Maggie Thatcher and the Falklands. This is what I really enjoy about Briggs, he’s essentially a children’s illustrator that doesn’t sugar the pill. In 1993, Briggs was named The Children’s Author of the Year and his novel Ethel and Ernst won Best Illustrated Book in the 1999 British Book Awards. He currently resides in Westmeston in Sussex and continues to work.

Resources

Bloomin’ Christmas from The Guardian

Audio Slideshow from The Guardian

Gentleman Briggs from Toonhound

Raymond Briggs 

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These tips may seem pretty obvious but a few applicants still submit sloppy applications. Granted most are fairly new to the game and so, here are some quick pointers because I want to give you a fighting chance in these ridiculously tough times.*

  • Whether you’re enquiring about vacancies or applying for an existing position, put all the bumf (showreel etc) in the initial email/letter.
  • Keep your showreel updated and relevant. Only put your best work in there and don’t pad it out with average stuff. Avoid putting simple ‘exercise’ work in such as somebody walking or climbing a wall.
  • The pace of your reel should be consistant. Try not to linger here and there, you want to keep them entertained as well as impressed.
  • See this article for some excellent showreel tips.
  • Do your research, qualify statements like ‘I really admire the work you guys do’ by picking out some work they’ve done and telling them why you like it. Same goes for saying things like ‘team player’ and ‘enthusiastic’.
  • Spelling and grammer should be impeccable. Goes without saying so triple check your application and cover letter.
  • Don’t worry if English isn’t your first language but you should still display a good level of communication. An obvious language barrier is a big no-no.
  • Make it clear whether you’re applying to come and work in the studio or whether you’re wanting to work distantly. Preempt the questions you think people might ask in your initial contact. Just make it as easy as possible for them.
  • Don’t feel that you need a long cover letter, just be snappy and to the point. The standard of your work will ultimately do the really talking.
  • If you’re struggling to find a job make sure you’re still working creatively, keep practising and producing stuff. At the end of the day, if your cover letter is stinking but your showreel is excellent they’ll still pull you in for an interview because that’s what they want, bloody good animation!

*And I also kind of want to stop shoving my fist in my mouth out of frustration. Although it tends be the ones who do barely any research that submit the truly awful applications, the same guys that probably aren’t reading this.

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