Over the coming months, there’ll be some big changes taking place in the KD studio.

Sadly, we’ll be saying goodbye to our Storyboard Artist, Scott, as he heads off for the bright lights of London. Scott has worked for Kuro Dragon for nearly two years and will not only be missed for his great work, but for his happy, positive outlook, and health/fitness inspiration! Check out his work here: http://www.scottduncanbrown.com/ we’d be happy to recommend him and think he’d be a real asset to any team.

However, with every end comes a new beginning, and we’re currently looking to fill Scott’s role as “Storyboard Artist”. If you think you have what it takes, please get in touch and we’ll provide you with a full job description. Any applications please send to: kelsey@kurodragon.com.

We’ve been fairly quiet on the blog for a number of weeks, mainly due to travelling to/from client meetings, conferences, and working on pitches for some major clients. So watch this space for updates on what we’re up to!

 Bye Scott! We’ll miss you!

 

 

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Due in UK cinemas on Friday 22nd March, “The Croods” is the latest 3D computer animated movie from DreamWorks Studios.

The 3D, prehistoric, comedy adventure follows the worlds first modern family as they embark on a journey of discovery. When their cave, which has always protected them from danger, is destroyed, they are forced to leave everything they know behind. Travelling across an incredible landscape, the Croods discover a whole new world filled with fantastic creatures, and their outlook is changed forever.

The voice-over cast includes a wealth of well known talent including Nicholas Cage, Ryan Reynolds and Emma Stone. See the official trailer here

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We haven’t featured any really nice animation work in our blog posts for a while – so we thought we’d share this one with you. Disney’s “Paperman” is a hybrid of both 2D and 3D animation and recently won an Oscar for “Best Animated Short Film” at this years ceremony held in February. This marks a triumph for hand drawn animation – which is often thought to be a dying medium. Although the hand drawn element isn’t in the traditional sense, it highlights how effective use of modern technology can revive more traditional analog formats.

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We kick started 2013 in the studio with some great new projects lined up, sure to keep us busy over the coming months. In January, we also began making some exciting plans to travel to various conferences, exhibitions and meetings both nationally and internationally over the course of the year.

So far, we’ve reached February and we’ve already been out on the road! At the beginning of the month we braved the icy weather and visited the annual Subsea UK conference and exhibition in Aberdeen. It was great to catch up with some of our existing contacts and also to speak to some new people regarding potential new projects. We have many more conferences lined up for the year so be sure to say hello if you see us out and about!

We’re also looking forward to spending some time at Teeside University on Wednesday for their annual Animex festival. We’ll be taking a stand in the market place for the day, hopefully networking with other industry professionals and speaking to some of the students. Look out for our stand and come and say hello!

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We’ve recently been working on the development of our Kuro-Bot character, and re-working the story of how they came to be. Kuro-Bot has featured on our blog and website many times in the past, and has formed a strong connection with our brand, however, our storyboard artist has been continuously developing further ideas and we will be introducing “Adventures of the Kuro-Bots” very soon.

We thought we’d share a few images of the development process here, so you can share the journey with us. The final design and finished product will be coming soon so look out for updates. We’d also be interested to hear which of our designs is your favourite!

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It’s time to officially welcome in the new working year now we’ve settled back into routine following the Christmas break.

2013 looks set to be an exciting year ahead for Kuro Dragon. We’re already working on some great projects and have many more in line for the coming months. Keep up to date with our recent work by checking our showcase

We’re also always on the lookout for talented people to come and join the team. We’re currently looking for 3D Generalists (preferably 3DS Max based) however, we’d love to receive applications from 3D modellers, texturers, animators and motion graphics designers. Working for Kuro Dragon has some awesome perks including working with some amazing clients, flexible working hours, a fantastic view over Newcastle, and a relaxed studio environment (with added Friday beer fridge and a never ending supply of sweets :) )

If you’re interested in a role with Kuro Dragon, please submit a CV AND a link to your work to kelsey@kurodragon.com – we look forward to hearing from you!

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After an incredible 2012 for Kuro Dragon, we’re currently finishing up for the Christmas holidays.

This year has proven to be a fun, exciting and greatly successful time in the Kuro Dragon studio as we continue to grow. We’ve enjoyed working with all of our clients, and attending all of the conferences and networking events throughout the year.

2013 looks set to be another exciting year, with a number of new projects lined up allowing the opportunity to expand our international client portfolio. We also have a long list of conferences we’ll be attending nationally and internationally so look out for us and come and say hello!

So, to finish on a festive note, Merry Christmas to everyone and best wishes for 2013!

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We’ve had a busy few months in the Kuro Dragon studio, and as a result, we’re looking to grow our team. We’re currently on the lookout for 3D Generalists, preferably 3DS Max based, however we’re willing to consider anyone with a particularly impressive show reel, who could add value to our existing team.

We thought we’d leave you a little advice regarding speculative applications as we often look through numerous emails and CV’s and want to scream with frustration. First and foremost, read, re read and read again before sending any letters or emails. Please ensure your spelling and grammar is correct. We want to be really impressed by you, and if the first impression you give us contains mistakes, you’re presenting yourself in a really negative manner.

Secondly, streamline your message to be really precise and informative. We’re not looking for an essay, just a quick introduction and description about what you do and the role you’re applying for. Always include a link to your work in your first message. That way we can get a really good idea of your skills and capabilities without sending numerous emails back and forth.

Finally, and most importantly, do not cram your show reel with basic work, its better having a shorter, more impressive show reel than a longer one padded out with simple work. We only want to see you working to the best of your ability. We want you to wow us, so that we can’t wait to meet you and hear what you can bring to the team, so please spend a small amount of time perfecting your application, as it will definitely be beneficial in the long run.

We hope you take these tips on board and look forward to reading/viewing your applications! Please send any emails to Kelsey@kurodragon.com.

Good luck!

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Our last blog post in which we discussed our favourite animated films prompted us to think back to animations we have enjoyed from childhood. Some of the best loved animations of all time date back to the 1920s where Walt Disney and Warner Brothers revolutionised the industry. The earliest version of Mickey Mouse was created in 1928 followed closely by the Warner Brothers Cartoons in 1930. But what about even earlier than that? Where did animation begin, when and how?

So, we asked Kurobot to share his knowledge and teach us all about the origin of animation.

Motion in art can date back as far as Paleolithic cave paintings, a very very long time ago! Paintings of animals with many legs in various positions is noted as the first attempt at conveying motion. Other pieces include sequences and phases of movement in both animals and people painted onto bowls, plates and murals.

Animation before film dates back to the 1600s where numerous devices were used to display animated images. The magic lantern, invented 1650, used a translucent oil painting and a lamp to project images onto adjacent flat surfaces. It was often used to display monsters and demons to convince people they were witnessing supernatural events. (We have ours ready for Halloween)

The Thaumatrope, invented 1824, was one of the first devices to demonstrate the Phi phenomenon, the human (and Kurobot) brains ability to persistently perceive an image. The device used a small circular piece of card with different images on each side, strung onto a central cord. When the cord is spun between the fingers the images appear to merge into one creating a moving image.

Possibly the most well known origin of motion picture is the humble flip book. Invented 1868, a flip book features a sequence of animated images on the unbound edge of each page of the book. When bending the pages back and flicking through the book the images merge due to the rapid replacement of each image with the next, forming a short animation.

The silent era of animation began in the late 1800s with the production of short stop motion animations, the most famous of which, produced in 1920 was Felix the cat. Felix was the first merchandised cartoon character and became a household name.

1923 marked the beginning of the golden age of animation when a small studio “Laugh-o-grams” went bankrupt, and its owner, Walt Disney opened a new studio in Los Angeles. This was possibly one of the most significant events in the history of animation.

The first Disney productions include “The Alice Comedies” series, “Song Car Tunes” and “Dinner Time”, however the most notable breakthrough entitled “Steamboat Willie” featured an anthropomorphic mouse named “Mickey” neglecting his work on a steamboat to instead make music with the animals aboard the boat. This would mark the development of animation in our generation including TV, and CGI animation.

 

Image sources: Silent London, Education Eastman House, The Local, Good Comics, Animation Connection

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This discussion continuously sparks a huge debate in the Kuro Dragon office. We all have our favourites and coming to a mutual conclusion proves almost impossible. This is the list we came up with but we just couldn’t decide on how to order them. Toy Story 3 seemed to be a common choice along with the other classics, Finding Nemo and The Incredible’s.

We also noticed that they all seemed to be quite recent CGI movies and when we stopped to consider all of the older classics we opened a whole new can of worms! (we’ll save that for another post).

What do you think? How would you order our list?

In no particular order:

Toy Story 3

How to Train Your Dragon

Lion King

Finding Nemo

The Incredible’s

 

Happy Feet

Megamind

Cars

Despicable Me

Ratatouille 

 

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